Dido Queen of Carthage

Nashe's Elegy

An intriguing yet ultimately frustrating story associated with the 1594 Quarto of Dido, Queen of Carthage is the report that some printed editions may have contained an elegy on Marlowe by Thomas Nashe.

The first extant report of such an elegy was mentioned by one Thomas Tanner (1674-1735), Bishop of St. Asaph, in his posthumous dictionary of pre-17th century authors from England, Scotland and Ireland which was finally published in 1748.1 In this, Bishop Tanner states that an elegy on Marlowe by Nashe was prefixed to a copy of Dido. The elegy was alleged to have mentioned four of Marlowe's tragedies "and also another, The Duke of Guise".

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Portrait: Thomas Tanner (1674–1735), painted by an unknown artist in 1731 around the time he was appointed Bishop of St Asaph.

This anecdote was repeated in summarised form by Thomas Warton (1728-90), Camden Professor of Ancient History at the University of Oxford (1785-90) and Poet Laureate (also 1785-90), in his History of English Poetry.2 Of more interest is that the scholar Edmond Malone (1741–1812) corresponded with Warton on the subject of this supposed elegy, and recorded a summary of Warton's response in a handwritten manuscript in his copy of the 1594 Quarto.

Warton, in his response to Malone in the early 1780's, claimed that he had actually seen a volume of the Quarto containing Nashe's elegy "on Marlowe's untimely death" in Osborne the bookseller's shop, having first seen mention of it in Osborne's 1754 catalogue. Warton stated to Malone that the elegy was "inserted immediately after the title page".

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Portrait: Edmond Malone (1741–1812), the Shakespearean and literary scholar, painted by Joshua Reynolds in 1778 (revised c. 1786).

However, McKerrow (author of [Nashe-McKerrow]) was unable to find any mention of a Dido Quarto in Osborne's 1754 catalogue, or other similar catalogues of the time. Since the evidence is anecdotal, and given that Warton's answer to Malone was written nearly thirty years after he claimed to have seen the volume in question, many commentators doubt that such an elegy ever existed.3 Oliver, for example, wonders whether Bishop Tanner was rather thinking of the prologue to Dr Faustus when he reports the list of plays referred to in the elegy.4

Footnotes:

  • Note 1: Thomas Tanner, Bibliotheca Britannico-Hibernica: sive de scriptoribus, qui in Anglia, Scotia, et Hibernia ad saeculi XVII initium floruerunt, literarum ordine juxta familiarum nomina dispositis commentarius (London, 1748) p.512: "Petowius in praefatione ad secundam partem Herois et Leandri multa in Marlovii commendationem adsert, hoc etiam facit Tho. Nash in Carmine elegiaco tragoediae Didonis praefixo in obitum Christoph. Marlovii, ubi quatuorejus tragoediarum mentionem facit, nec non et alterius De duce Guisio.". Back to Text
  • Note 2: Thomas Warton, The History of English Poetry from the Close of the Eleventh to the Commencement of the Eighteenth Century (London, 1781) Vol III, p.435: "Nashe in his Elegy prefixed to Marlowe's Dido, mentions five of his plays". Back to Text
  • Note 3: [Revels-Lunney] p.4. Back to Text
  • Note 4: [Revels-Oliver] p.xxii. Back to Text